Sans Superellipse Fenah 12 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype and 'Industria Sans' by Resistenza (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, product labels, sporty, techno, industrial, confident, dynamic, speed cue, display impact, modern utility, brand distinctiveness, rounded corners, oblique slant, square curves, compact, high impact.
A heavy, forward-slanted sans with rounded-rectangle construction and softened corners throughout. Strokes are uniformly thick with minimal contrast, and curves resolve into squarish bowls and superellipse-like counters rather than true circles. Terminals are mostly blunt and horizontal, with occasional angled cuts that reinforce the oblique rhythm. Uppercase forms are compact and sturdy, while lowercase shows simplified, geometric shapes with single-storey a and g and a blocky, squared-off s; figures follow the same rounded-square logic with open, legible counters.
Best suited to display typography where impact and motion matter: headlines, posters, athletic or motorsport-themed branding, product packaging, and UI moments that need a bold, directional voice (e.g., section headers or callouts). It will also work for short bursts of text such as taglines, badges, and signage where the geometric rhythm can read clearly.
The overall tone is energetic and utilitarian, reading as sporty and tech-forward rather than friendly or classic. Its oblique stance and compact, engineered shapes suggest speed, motion, and modern machinery—more performance-oriented than conversational.
The design appears intended to deliver a compact, high-energy italicized sans built from rounded-rectangular geometry. By combining heavy strokes, controlled corner rounding, and engineered counters, it aims for a modern, performance-driven look that stays coherent across caps, lowercase, and numerals.
The face keeps a consistent corner radius across letters and numerals, creating a cohesive ‘squared-round’ texture in lines of text. Wide joins and tight apertures in letters like S and e increase punch at display sizes, while the strong slant gives words a continuous forward momentum.