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Free for Commercial Use

Sans Contrasted Rydu 2 is a bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Antipol' by phospho (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logos, playful, retro, friendly, chunky, quirky, standout display, friendly branding, retro signage, graphic impact, rounded, soft corners, geometric, high-ink, bubbly.


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A heavy, geometric sans with rounded terminals and softened corners that keep the texture friendly despite its dense color. Forms are built from broad strokes with clear stroke modulation: curved bowls and counters swell while joins and cuts create sharper, more angular moments (notably in diagonals and some terminals). Counters tend to be large and open, and the overall rhythm is driven by circular geometry paired with occasional straight-sided stems, producing a lively, slightly uneven “hand-cut” feel while remaining clean and consistent.

Best suited to headlines, posters, packaging, and brand marks where its dense weight and playful geometry can carry a composition on their own. It also works well for short blurbs, cover lines, and signage-style applications; for extended text it’s likely most comfortable at larger sizes where its rounded counters and stroke modulation stay crisp.

The typeface reads as upbeat and approachable with a distinctly retro flavor—bold enough to feel poster-ready, but softened by rounded shaping that adds charm. The mix of smooth curves and abrupt cuts gives it a quirky, energetic personality suited to expressive display rather than quiet neutrality.

The design appears aimed at delivering a bold, friendly display voice built from geometric shapes, balancing solid impact with softened terminals for approachability. Its stroke modulation and occasional angular cuts suggest an intention to feel distinctive and characterful, echoing retro sign and poster lettering while remaining modern and clean.

Uppercase has a strong, sign-like presence with simplified geometry and generous internal space, while lowercase stays highly legible at larger sizes thanks to open apertures and prominent bowls. Numerals share the same chunky, rounded construction, maintaining a cohesive, graphic voice across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸