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Free for Commercial Use

Stencil Esvu 5 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'PODIUM Sharp' by Machalski, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, authoritative, military, poster-like, no-nonsense, impact, space-saving, stencil styling, labeling, condensed, high-contrast gaps, modular, geometric, blocky.


Free for commercial use
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A condensed, all-caps-forward display face built from tall, blocky forms and consistent stroke weight. The letterforms are interrupted by deliberate vertical stencil breaks that create crisp bridges and strong negative shapes, giving counters a split, modular feel. Curves are restrained and somewhat squarish, with clean terminals and a tight rhythm that stacks well in lines of text. Numerals and punctuation follow the same broken-stroke logic, maintaining a uniform, engineered texture.

Best suited to headlines, posters, and identity work where a strong, condensed block of text is desirable. It also fits signage, labels, packaging, and any application that benefits from an industrial stencil aesthetic. Use at display sizes to let the stencil breaks read clearly and to preserve character distinction.

The overall tone is utilitarian and commanding, with a signage-like immediacy. The repeated stencil gaps add a rugged, industrial edge that reads as functional and institutional rather than decorative. In larger sizes it projects confidence and impact, evoking labeling, equipment marking, and bold editorial headlines.

The design appears intended to deliver maximum impact in a compact width while preserving a consistent stencil construction across the alphabet and numerals. Its systematic breaks and uniform stroke weight suggest a goal of creating a practical, stamp-like display face that feels engineered and repeatable for bold typographic statements.

Spacing appears compact and the condensed proportions amplify verticality, making the texture dense and graphic. The stencil bridges are prominent enough to be a defining feature, so readability benefits from adequate size and contrast, especially in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸