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Free for Commercial Use

Slab Contrasted Rose 1 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Miura Slab' by DSType, 'Quitador' by Linotype, 'Metronic Slab Pro' by Mostardesign, 'Exo Slab Pro' by Polimateria, 'Quadon' by René Bieder, and 'Paul Slab' and 'Paul Slab Soft' by artill (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, assertive, retro, collegiate, industrial, friendly, impact, durability, retro appeal, headline clarity, blocky, sturdy, chunky, square-serifed, softened.


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A heavy, block-structured slab serif with broad proportions and compact internal counters. Strokes are largely monolinear, with bold rectangular slabs and short bracketless joins that keep edges crisp while corners read slightly softened by the overall mass. Curves are wide and weighty (notably in O/C/G), and the uppercase maintains a strong, even rhythm with prominent horizontals. The lowercase is similarly robust, with rounded bowls and thick terminals that preserve legibility at display sizes while giving forms a dense, poster-like texture.

Best suited for bold headlines, posters, and attention-forward branding where strong silhouettes and a sturdy serif presence are desirable. It can also work well on packaging and signage, especially where a vintage or utilitarian feel helps communicate durability and confidence.

The overall tone is confident and no-nonsense, with a retro, workmanlike flavor reminiscent of athletic, poster, and label typography. Its substantial slabs and compact counters create an authoritative, grounded voice that still feels approachable rather than formal.

The design appears intended to deliver maximum impact with a solid slab-serif voice: wide, simplified forms, strong horizontals, and emphatic serifs that remain clear in large sizes and at distance. It prioritizes presence and readability over refinement, aligning with display-first applications.

Spacing appears generous enough to keep the dense shapes from clogging in text, and the numerals match the letterforms with similarly broad, weighty construction. The design favors strong silhouettes over delicate detail, producing high impact in headlines and short copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸