Sans Superellipse Eddip 2 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'Akko' by Linotype (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, modern, dynamic, efficient, technical, confident, space saving, add motion, modernize tone, clean readability, systematic design, condensed, oblique, rounded, monoline, streamlined.
This typeface is a condensed oblique sans with monoline strokes and smoothly rounded corners throughout. Curves tend toward superelliptical shapes, giving round letters a squared-off, contemporary feel, while straight strokes remain clean and upright in construction despite the slant. The capitals are tall and compact with tight internal counters, and the lowercase shows simple, utilitarian forms (single-storey a and g, a clean hooked f) that keep texture even. Figures are similarly narrow and straightforward, with open, readable shapes and consistent stroke endings that avoid sharp terminals.
It works well for space-conscious headlines, branding systems that need a streamlined voice, and poster or packaging typography where a compact italic can add motion without sacrificing clarity. The even, rounded construction also suits UI labels, dashboards, and short callouts where a clean, contemporary texture is desired.
The overall tone is modern and purposeful, with a fast, forward-leaning rhythm that reads as sporty and efficient rather than expressive or ornamental. Its rounded geometry adds approachability, but the compact proportions and firm stroke behavior keep it feeling technical and controlled.
The design appears intended to deliver a compact, energetic italic voice within a clean sans framework, combining rounded-rectangle geometry with restrained detailing for consistent, high-impact setting. Its emphasis on tight proportions and smooth terminals suggests a focus on efficient layout and contemporary identity work.
The slant is steady and consistent across letters and numerals, producing a cohesive diagonal flow in text. Rounded joins and softened terminals reduce visual noise at small sizes, while the condensed set emphasizes verticality and space economy in headlines and UI-style layouts.