Font Hero

Free for Commercial Use

Sans Normal Jomij 4 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Epoca Pro' and 'Impara' by Hoftype, 'Lucida Grande' by Monotype, 'Nylo' by René Bieder, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Arlonne Sans Pro' by Sacha Rein, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, modern, dynamic, punchy, attention grabbing, forward motion, display impact, modern branding, bold clarity, oblique, compact counters, rounded terminals, smooth curves, high impact.


Free for commercial use
Customize the font name

This typeface is a heavy, right-leaning sans with broad proportions and smooth, rounded curves. Strokes are consistently thick with modest contrast, and many joins and terminals are softly finished rather than sharply cut, giving the letterforms a streamlined, contemporary feel. Uppercase shapes are sturdy and open, while lowercase forms keep a simple, single-storey look where applicable (notably the ‘a’ and ‘g’), with compact counters and a forward-tilted rhythm. Numerals are similarly bold and rounded, built for strong silhouette clarity at display sizes.

It performs best in headlines, short bursts of copy, and bold typographic statements where the oblique energy and thick strokes can work as a primary visual element. The strong silhouettes suit branding, packaging, promotional graphics, and sports- or performance-oriented design, especially where legibility and impact are needed at a distance.

The overall tone is energetic and confident, with an athletic, forward-motion character created by the oblique slant and broad stance. It reads as bold and direct rather than delicate, projecting a modern, high-impact voice suited to attention-grabbing messaging.

The design appears intended to deliver a contemporary, high-impact sans for display use, combining a forward-leaning stance with rounded, approachable curves. Its emphasis is on strong presence and quick readability rather than fine detail, aiming for a confident, modern voice in branding and advertising contexts.

The italic construction is integral to the design rather than a mere slant: curves and diagonals feel purposefully drawn, producing a cohesive, fast-moving texture in longer lines. Spacing appears generous enough to keep counters from clogging at larger sizes, while the weight remains dominant and poster-friendly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸