Sans Normal Osreh 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Granby EF' by Elsner+Flake, 'Neue Kabel' by Linotype, 'Geograph' by Sarah Khan, and 'Granby SB' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, approachable, chunky, impact, approachability, modernity, simplicity, clarity, rounded, soft corners, wide apertures, heavy terminals, compact counters.
A heavy, geometric sans with rounded forms and softened joins that keep the dense strokes from feeling harsh. Curves are built from near-circular bowls and smooth arcs, while straight strokes stay sturdy and uniform, giving the design a consistent, blocky rhythm. Counters are relatively compact in the lower-case, and terminals tend to be blunt and substantial, producing strong silhouettes at display sizes. The overall spacing reads generous enough for headline use, with clear differentiation between key shapes like O/Q and the angled strokes of K/V/W/X.
This font performs best in headlines, posters, signage, and packaging where weight and simple geometry help it hold up at distance and on varied backgrounds. It can also work for branding and short UI labels when a friendly, high-impact voice is needed, but extended small-size text may feel heavy due to the compact internal space.
The tone is bold and upbeat, with a friendly, contemporary feel driven by round shapes and softened corners. It reads confident and attention-grabbing without becoming aggressive, making it well suited to energetic, approachable messaging.
The design appears intended to deliver maximum impact with straightforward geometry and a friendly softness, balancing strong black coverage with approachable rounded forms. Its simplified shapes and sturdy construction suggest a focus on legibility and presence in display and identity settings.
The figures and capitals present clean, simplified geometry that favors immediate recognition, while the lowercase maintains a sturdy, compact texture that can feel dense in long passages. Round letters (O, C, G, Q) are especially prominent, reinforcing a modern, logo-ready character.