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Sans Superellipse Ablaf 4 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Matt' by Fontfabric, 'Galvani' by Hoftype, 'Taz' by LucasFonts, 'Interval Next' by Mostardesign, 'Belle Sans' by Park Street Studio, 'Concord' by Soneri Type, 'Sans Beam' by Stawix, and 'Nuno' by Type.p (names referenced only for comparison).

Keywords: ui text, app design, product branding, signage, dashboards, clean, modern, friendly, neutral, techy, clarity, modernization, approachability, systematic design, ui friendliness, rounded, geometric, open forms, smooth terminals, even rhythm.


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A clean sans with softly squared, superellipse-driven curves and predominantly uniform stroke weight. Rounds like C, O, and G feel based on rounded-rectangle geometry, paired with straight, steady verticals and horizontals that keep the texture even. Uppercase proportions are broad and calm, while lowercase maintains clear, open counters and simple construction; the two-storey “a” and single-storey “g” read crisply, and the dot and punctuation shapes stay compact and round. Numerals follow the same smooth, rationalized geometry, with consistent widths and uncluttered interior spaces.

This font is well suited to user interfaces, dashboards, and product experiences where a calm, legible sans is needed with a subtly distinctive rounded geometry. It also works for contemporary branding systems, wayfinding, and headlines where a clean, friendly modern tone is desired without overt stylization.

The overall tone is modern and approachable, balancing a tech-forward precision with gentle rounding that avoids feeling cold. Its steady rhythm and open shapes give it a neutral, utilitarian voice suited to contemporary interfaces and branding.

The design intention appears to be a practical, contemporary sans that feels engineered and consistent, using superellipse-like rounding to add friendliness while preserving a clear, systematic structure. It prioritizes legibility and a smooth, controlled texture for everyday digital and print applications.

The design leans on rounded corners and softened joins rather than sharp terminals, producing a slightly “softened UI” look in both display and text settings. Letterforms appear optimized for clarity, with minimal ornament and a consistent, orderly cadence across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸