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Free for Commercial Use

Stencil Veba 2 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Fester' by Fontfabric, 'Hype vol 3' by Positype, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).

Keywords: posters, signage, packaging, headlines, branding, industrial, utilitarian, technical, modernist, rugged, space-saving, stencil marking, high legibility, industrial tone, display impact, condensed, monoline, stenciled, square-shouldered, high-impact.


Free for commercial use
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A condensed, monoline stencil sans with tall proportions and clean, straight-sided forms. Stencil breaks are consistent and purposeful, cutting through vertical stems and key joins to create crisp bridges without compromising recognition. Curves are tight and controlled, with squared shoulders and rounded corners used sparingly for a machined feel. Spacing is compact and rhythmic, producing a steady vertical texture in text, while capitals maintain a uniform, sign-like presence.

Best suited to display applications such as posters, product packaging, wayfinding, and branding where a compact footprint and bold stencil character are desired. It works particularly well for short headlines, labels, and system-style typography that benefits from an industrial aesthetic. For body text, it will perform more comfortably in brief blocks or at generous sizes and leading.

The overall tone is industrial and functional, evoking labeling, fabrication marks, and equipment graphics. Its disciplined geometry and repeated stencil cuts create a technical, no-nonsense voice with a slightly rugged edge. The condensed stance adds urgency and efficiency, making the design feel engineered rather than expressive.

The design appears intended to deliver a contemporary stencil look optimized for clear reproduction and a compact, space-saving rhythm. By pairing narrow proportions with consistent bridges and simplified, low-contrast construction, it aims to feel like practical marking type while remaining clean enough for modern graphic use.

Numerals and caps show strong poster-readability, especially at medium to large sizes where the stencil bridges become a defining feature. The consistent vertical stress and tight internal counters can make long passages feel dense, but they also help the font hold together in stacked layouts and narrow columns.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸