Sans Superellipse Felup 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Prachason Neue' by Jipatype, 'Aago' and 'Air Superfamily' by Positype, 'Nu Sans' by Typecalism Foundryline, and 'Artico' by cretype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app banners, sporty, urgent, confident, modern, loud, impact, speed, space saving, bold branding, headline clarity, slanted, condensed, rounded, blocky, compact.
A compact, slanted sans with heavy, uniform strokes and tightly proportioned letterforms. Curves are built from rounded-rectangle geometry, producing smooth, superelliptical bowls and corners, while diagonals feel crisp and forward-leaning. Counters are relatively small for the weight, and the overall rhythm is dense and streamlined, with a consistent, low-contrast texture across both uppercase and lowercase. Figures match the same sturdy, rounded construction and read as solid, compact blocks.
Best suited to short, high-impact settings such as headlines, promotional graphics, sports and athletic identities, packaging callouts, and hero text in UI or web banners. It performs especially well where a compact footprint and strong emphasis are needed, and where the forward slant can reinforce a sense of momentum.
The font projects speed and impact, with an assertive, energetic tone that feels contemporary and performance-driven. Its heavy, compressed presence and pronounced slant suggest motion and urgency, making it feel more like a headline voice than a neutral text tool.
The design appears intended to deliver maximum visual punch in a space-efficient, motion-oriented style. Its rounded-rectangle construction and consistent stroke weight aim for a modern, industrial clarity while preserving a friendly smoothness at the edges.
In the sample text, the dense color and tight apertures create strong poster-like emphasis, while the rounded terminals keep the boldness from feeling harsh. The italic angle and condensed proportions make word shapes punchy, though the smaller internal spaces can make long passages feel intense at larger weights and sizes.