Font Hero

Free for Commercial Use

Sans Normal Lybum 14 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Remora Corp' by G-Type, 'Asket' by Glen Jan, 'Malmo Sans Pro' by Martin Lexelius Core, and 'Grold' and 'Grold Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, logos, playful, punchy, sporty, friendly, retro, attention grabbing, energetic tone, friendly display, retro feel, rounded, soft corners, compact, chunky, bouncy baseline.


Free for commercial use
Customize the font name

A heavy, right-slanted sans with compact proportions and rounded, softly chamfered terminals. Strokes are thick and steady with minimal modulation, and counters tend to be small, giving the letters a dense, poster-like color. Curves are built from broad ovals and circles, with slightly squarish rounding that keeps forms sturdy rather than delicate. The rhythm feels energetic and uneven in a deliberate way, with subtly varied widths and lively shapes across the alphabet and numerals.

Best suited for short, bold copy where instant visibility and character are priorities: headlines, posters, packaging fronts, event graphics, and energetic brand marks. It can also work for badges, stickers, and social graphics where the slanted, rounded forms help convey motion and friendliness.

The overall tone is upbeat and extroverted, leaning toward a fun, sporty vernacular. Its bold, rounded construction and forward slant create a sense of motion and enthusiasm, while the soft corners keep it approachable rather than aggressive. The personality suggests retro display typography suited to attention-grabbing messages.

The design appears intended as a high-impact display italic that combines strong, blocky mass with rounded, approachable forms. Its compact, dense counters and lively shapes prioritize punchy readability and a playful, kinetic presence in branding and headline contexts.

The italic angle is pronounced enough to read as a key part of the design, and the dense counters mean it holds best when given adequate size and spacing. Numerals share the same chunky, rounded logic and feel built for impact rather than quiet text settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸