Sans Normal Julih 2 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Aretha' and 'Pelita' by Lafontype and 'Neue Frutiger', 'Neue Frutiger Hebrew', and 'Neue Frutiger Paneuropean' by Linotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, digital banners, dynamic, sporty, confident, modern, energetic, emphasis, motion, impact, display clarity, oblique, rounded, smooth, clean, compact counters.
A slanted, heavy sans with smooth, rounded curves and a consistent, contemporary construction. Stroke endings are clean and mostly squared-off, while bowls and arcs stay generous and even, creating a sturdy rhythm across uppercase and lowercase. The letters show slight width variation and a forward-leaning stance that emphasizes motion, with open apertures in forms like C, S, and e helping keep the shapes clear at display sizes. Numerals are similarly robust and rounded, matching the overall weight and slant for a cohesive set.
Best suited to headlines and short-to-medium display copy where the heavy weight and pronounced slant can carry impact. It works well for sports and active-lifestyle branding, promotional graphics, and bold packaging callouts, and can also serve as an energetic accent in UI or marketing banners when used sparingly.
The overall tone is assertive and in-motion, projecting speed and immediacy without feeling aggressive. Its smooth curves and steady weight give it a friendly, modern confidence that reads well in energetic branding contexts.
Designed to deliver high-impact communication with a sense of forward motion, combining a clean sans structure with a strong oblique stance for emphasis. The intention appears to balance modern neutrality with enough character to stand out in branding and display settings.
Uppercase forms feel compact and stable, while the lowercase introduces more personality through single-storey shapes (notably a and g) and a lively, angled rhythm. The italic angle is consistent and strong, making the style read as intentionally oblique rather than merely slanted.