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Free for Commercial Use

Sans Superellipse Horow 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Evanston Tavern' by Kimmy Design, 'PODIUM Sharp' by Machalski, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, techy, industrial, confident, sporty, futuristic, display impact, geometric cohesion, modern utility, brand presence, rounded corners, squared forms, compact apertures, blocky, sturdy.


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A heavy, blocky sans with squared, superellipse-like counters and generously rounded corners. Strokes are uniform and dense, with compact apertures and tight internal spaces that create a strong, poster-ready silhouette. Curves tend to resolve into rounded-rectangle geometry (notably in C, G, O, and 0), while diagonals (A, K, V, W, X, Y) stay crisp and straight. The lowercase follows the same engineered construction, with single-storey a and g, a deep, angular k, and a broad, squared m; numerals are similarly squared-off and sturdy, with a distinctive, enclosed 8 and a geometric 2/3.

Best suited to short, high-impact settings such as headlines, logotypes, brand marks, packaging callouts, and sports or esports graphics. It also fits UI/wayfinding labels and product titling where a sturdy, geometric voice is desired, especially at medium-to-large sizes.

The overall tone feels assertive and modern, leaning toward a tech and sports aesthetic rather than neutral text work. Its squared rounds and compressed openings give it an industrial, engineered character, suggesting speed, strength, and contemporary hardware or interface styling.

The font appears designed to deliver maximum visual punch with a consistent rounded-rectangle geometry, balancing friendliness (soft corners) with a hard-edged, engineered structure. It prioritizes bold presence and geometric cohesion for contemporary display typography.

The design relies on consistent corner radii and rectilinear curves, producing a cohesive, modular rhythm across letters and figures. Because counters are relatively small at this weight, it reads best when given breathing room or set at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸