Sans Normal Oknop 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Approach' by Emtype Foundry, 'FS Koopman' by Fontsmith, 'Eastlane' by Stawix, 'Nomina' by Tokotype, and 'Peter' by Vibrant Types (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, clean, confident, straightforward, friendly, clarity, neutrality, versatility, modernity, impact, geometric, round, blocky, solid, crisp.
A sturdy sans with smooth, rounded bowls and largely even stroke thickness, producing a calm, consistent texture. Uppercase forms are broad and simplified with minimal modulation, while counters stay open and clear (notably in C, G, O, and e). Terminals are mostly squared-off with occasional angled joins, giving diagonals (K, V, W, X, Y) a firm, mechanical snap. Lowercase shows a double-storey g and a single-storey a, with compact shoulders and short, practical apertures; overall spacing reads even and supportive for setting lines of text.
Well suited for headline typography where a solid, contemporary voice is needed, such as posters, packaging, and brand wordmarks. It can also work for short-to-medium text in UI or informational settings when a clear, steady sans is preferred, especially at sizes where the open counters and simple forms stay legible.
The tone is contemporary and no-nonsense, projecting reliability and clarity rather than personality-driven flourish. Its rounded geometry keeps it approachable, while the heavy, compact shapes add a confident, poster-ready presence. The overall impression is utilitarian-modern: friendly enough for everyday interfaces, strong enough for punchy headlines.
The design appears aimed at delivering a dependable, modern sans with geometric roundness and strong presence, prioritizing clarity and a consistent, even texture. It balances approachable curves with firm terminals to remain neutral, versatile, and easy to deploy across display and practical communication contexts.
Curves are drawn with a distinctly geometric bias, and many forms feel built from circles and straight segments. The numerals are plain and sturdy, with clear differentiation between shapes and generous internal space where applicable. At larger sizes the design reads particularly crisp, with clean joins and an even, steady rhythm across mixed-case text.