Sans Superellipse Rukiv 6 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, art deco, vintage, sleek, theatrical, architectural, deco revival, display impact, signage tone, stylized clarity, condensed, rounded corners, vertical stress, ink-trap feel, tall ascenders.
A tall, condensed display sans with softly rounded rectangular curves and long vertical strokes. The stroke weight is even-to-gently modulated, with subtle tapering at terminals that creates a slightly calligraphic, sculpted edge rather than blunt cuts. Counters tend toward narrow, upright ovals and rounded-rectangle bowls, giving the alphabet a streamlined rhythm. Several joins and inner corners show small notches that read like restrained ink-traps, adding crispness and preventing dark buildup in tight apertures. Overall spacing and proportions emphasize height and elegance, with slender stems, compact widths, and a consistent, controlled geometry across caps, lowercase, and numerals.
Best suited for display settings such as headlines, posters, editorial titling, brand marks, packaging, and signage where its tall condensed silhouette can create strong vertical emphasis. It can also work for short subheads or pull quotes when you want a vintage-modern flavor, but its narrow counters and stylized terminals suggest using it at comfortable sizes rather than dense body text.
The tone is distinctly Art Deco and vintage-modern: poised, stylish, and a bit theatrical. Its narrow stance and elongated forms evoke classic poster lettering and early 20th‑century signage, while the rounded geometry keeps it approachable and smooth. The result feels sophisticated and curated, with a hint of noir glamour.
The design appears intended to capture streamlined, Deco-inspired elegance in a contemporary, clean construction. By combining rounded-rectangle curves with subtle terminal shaping and controlled notches at tight joins, it aims to deliver a distinctive display voice that stays orderly and legible while still feeling period-informed and dramatic.
Uppercase forms are especially prominent and architectural, while the lowercase maintains the same narrow, vertical cadence with tall ascenders and compact bowls. Numerals follow the same condensed, rounded-rectangle logic and read well as a coordinated set. The design’s small corner notches and tapered endings become more visible at larger sizes, reinforcing its display character.