Sans Normal Tybar 11 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Jantar Sharp' by CAST, 'Ragik Sans' by Hurufatfont, 'MC Garleo' by Maulana Creative, 'Alinea Incise' by Présence Typo, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports, confident, editorial, retro, sporty, friendly, display impact, warmth, nostalgia, branding strength, clarity, rounded, soft terminals, compact counters, hefty, lively.
A heavy, high-contrast roman with broad proportions and rounded bowl construction that keeps shapes feeling full and buoyant. Strokes show noticeable thick–thin modulation with mostly smooth, softened terminals rather than sharp cuts, and curves dominate the design in letters like C, G, O, and S. Counters are relatively tight at this weight, with sturdy joins and a consistent baseline presence that reads clearly in display sizes. Numerals follow the same robust, rounded logic, with ample width and prominent curves.
Best suited to headlines, posters, and brand marks where broad forms and strong contrast can carry personality at a glance. It also works well for packaging and promotional graphics that benefit from a friendly, high-impact typographic voice; for longer reading, it’s most effective at larger sizes where counters and modulation stay clear.
The overall tone is bold and approachable, combining classic poster-style presence with a friendly, slightly nostalgic warmth. Its strong silhouettes and soft curvature create an energetic, headline-forward voice that feels confident without becoming austere.
The design appears intended to deliver maximum impact with a warm, rounded silhouette and pronounced contrast, balancing a classic display sensibility with modern, approachable curves. It prioritizes strong shape recognition and a bold typographic color for attention-grabbing settings.
The rhythm is driven by large, circular forms and pronounced stroke modulation, giving text a lively texture in longer lines. Uppercase shapes feel stable and monumental, while lowercase keeps the same weighty color and rounded construction for a cohesive paragraph look at larger sizes.