Sans Superellipse Pygag 12 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'FS Industrie' by Fontsmith, 'Etrusco Now' by Italiantype, 'Antiquel' by Lemonthe, 'Highriser' by Nicolas Deslé, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, ui labels, industrial, utilitarian, modern, technical, authoritative, space saving, strong impact, geometric clarity, practical readability, condensed, compact, rectilinear, rounded corners, closed apertures.
A compact sans with tall proportions and a strong, even stroke weight. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superelliptical feel rather than true circles. Terminals are clean and blunt, with minimal modulation and tight interior spacing that produces small, sturdy counters. Overall spacing and rhythm are controlled and economical, emphasizing verticality and a dense, efficient texture in text.
This font performs best where space is limited and strong presence is needed: headlines, posters, packaging panels, and wayfinding or storefront signage. Its compact width and sturdy shapes also suit UI labels, navigation elements, and other short bursts of text that benefit from a dense, consistent rhythm.
The tone is direct and workmanlike, with a contemporary, engineered character. Its squared-round forms feel urban and industrial, projecting confidence and clarity without decorative softness. The condensed stance adds urgency and efficiency, making it read as practical and no-nonsense.
The design appears intended to deliver a modern condensed sans with rounded-rectilinear construction, prioritizing efficiency, impact, and a cohesive geometric voice. Its controlled spacing and blunt finishing suggest a focus on reproducible clarity across display and functional typographic contexts.
Round letters such as O and Q show a distinctly boxy curvature, and the Q uses a simple, understated tail. Lowercase forms keep a straightforward construction, leaning toward closed apertures and compact joins that reinforce a solid, sign-like presence. Numerals are similarly narrow and robust, suited to space-conscious settings.