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Free for Commercial Use

Slab Contrasted Urji 8 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Agatho' by Andfonts, 'Diverda Serif' by Linotype, and 'Skema Pro' by Mint Type (names referenced only for comparison).

Keywords: headlines, editorial, posters, book covers, packaging, confident, traditional, sturdy, academic, impact, readability, authority, classic tone, print presence, bracketed serifs, ball terminals, rounded joins, short ascenders, open counters.


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A robust serif design with slab-like, bracketed terminals and clearly sculpted joins. Strokes are heavy and fairly even, with a modest amount of contrast that shows most in rounded forms and where curves meet stems. Counters are open and the letterforms feel compact, with short ascenders and a steady, vertical rhythm; widths vary naturally across characters, giving text a familiar, bookish texture. Details like the ball-like terminals on some lowercase forms (notably the “a”) and the strong, rectangular serifs contribute to a solid, print-forward silhouette.

Best suited to headlines, subheads, and short-to-medium text where a strong serif voice is desired. Its sturdy construction and open counters make it effective for editorial layouts, book covers, posters, and packaging that need a classic, authoritative feel. It also works well for branding systems that want a traditional serif presence with substantial weight.

The overall tone is authoritative and traditional, with a confident, no-nonsense presence. It reads as dependable and institutional—more library-and-ledger than playful—while still feeling approachable thanks to rounded curves and generous counters. In display sizes it comes across as emphatic and editorial, lending weight to headlines without becoming ornate.

The design appears intended to deliver a dependable slab-serif voice that holds up in prominent sizes and maintains a steady, readable rhythm in text. Its bracketed slabs and controlled contrast suggest a focus on clarity and stability, aiming for an established, print-centric character rather than novelty.

Uppercase forms appear wide and stately, with strong horizontals and well-anchored serifs that keep shapes stable in large settings. The lowercase shows a pronounced, sturdy texture—especially in letters like “m,” “n,” and “u”—and the numerals match the same weight and serif treatment for consistent mixed setting.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸