Sans Superellipse Wahy 4 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Millenium Pro' by TypoStudio Pro (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, gaming ui, techno, futuristic, sporty, industrial, friendly, impact, modernity, durability, tech branding, display clarity, rounded, boxy, compact, stencil-like, ink-trap.
A heavy, rounded-rectangle sans with squared counters and broad, softened corners throughout. Strokes are uniform and dense, with compact apertures and a distinctly engineered geometry that favors straight segments over continuous curves. Many joins show small internal notches and cut-ins (ink-trap-like detailing), giving the silhouettes a slightly modular, machined feel. Letterforms are generally wide and sturdy; round characters such as O and Q read as superelliptical, with the Q featuring an inset, angular tail. Numerals follow the same blocky, rounded system, with flattened curves and strong horizontal emphasis.
Best suited to display work where solidity and presence are desired—headlines, posters, packaging, esports and sports branding, and tech-forward identities. The compact apertures and dense shapes also work well for large UI labels, badges, and signage where a tough, rounded industrial look is needed.
The font projects a confident, high-impact tone that feels modern and technical. Its rounded corners keep it approachable, while the squared bowls and sharp internal cut-ins add a performance/industrial edge. Overall it suggests speed, hardware, and contemporary display branding rather than subtle editorial voice.
The design appears intended to merge rounded friendliness with a rigid, engineered construction, using rounded rectangles and internal cut-ins to maintain clarity at heavy weights while adding character. It aims for a contemporary, performance-oriented display voice that remains cohesive across caps, lowercase, and numerals.
Lowercase forms are simple and compact, with single-storey a and g and minimal modulation. The i and j use square dots, reinforcing the rectangular theme. Diagonals (V/W/X/Y) are bold and angular, creating strong rhythm in caps-heavy settings and short headlines.