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Sans Superellipse Imdub 6 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Fusion Collection' by Blaze Type, 'Gltp Starion' by Glowtype, 'JHC Mirko' by Jehoo Creative, 'Redob' by Product Type, 'Radiate Sans' by Studio Sun, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, futuristic, assertive, dynamic, industrial, impact, speed, modernity, display, rounded, oblique, geometric, blocky, smooth.


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This typeface is a heavy, oblique sans with broad proportions and rounded-rectangle construction. Strokes are thick and smoothly contoured with subtly flattened curves, producing superellipse-like bowls and counters. Terminals are clean and mostly straight-cut, while joins and corners are softened, giving the letters a molded, aerodynamic feel. Spacing is relatively open for such a dense weight, and the figures and capitals read as compact blocks with consistent, controlled curvature.

It performs best at large sizes where its width and dense strokes can function as a strong graphic element—headlines, posters, brand marks, and impactful packaging. The oblique rhythm also works well for sports, automotive, and tech-adjacent design systems where speed and emphasis are desirable. In longer text, it is likely most effective for short bursts such as pull quotes, labels, or UI hero headings.

The overall tone is fast, forceful, and contemporary, with a clear sense of motion from the forward slant and wide stance. Its rounded geometry keeps it friendly and modern rather than harsh, but the mass and breadth still communicate power and impact. The result feels suited to performance-driven, tech-forward, and competition-oriented messaging.

The design appears intended to deliver maximum visual impact with a streamlined, rounded-geometry language. By combining a forward slant with broad, softened forms, it aims to project speed and confidence while remaining clean and contemporary. The consistent rounding and controlled counters suggest a focus on cohesive display typography rather than neutral body text.

The italic angle is pronounced enough to create momentum in text while keeping letterforms stable and legible. Circular shapes (like O/0 and bowls in letters such as P, D, and a) lean toward squarish rounds, reinforcing a mechanical, engineered personality. Numerals appear sturdy and display-oriented, matching the capitals in weight and presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸