Sans Superellipse Fidaw 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Cube' by FontFont, 'Eurosoft' by Indian Type Foundry, 'Klint' by Linotype, 'Sans Beam' by Stawix, and 'Celdum' and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, tech branding, packaging, sporty, tech, dynamic, futuristic, industrial, impact, speed, modernity, systematic design, display focus, oblique, rounded corners, squared bowls, compact, streamlined.
A heavy, oblique sans with squared-off, superellipse construction: rounds resolve into rounded-rectangle bowls and counters, and terminals are clean and clipped rather than tapered. Curves stay tight and controlled, giving letters like O, Q, C, and G a boxy-round silhouette, while straight stems and diagonals feel firm and mechanical. Proportions read slightly compact with generous internal counters for the weight, and spacing looks built for punchy display lines. Numerals follow the same squared-rounded logic, with simple, sturdy shapes and consistent stroke behavior across the set.
Best suited to headlines, short statements, and branding where a fast, modern voice is needed. It can work well for sports identities, product marks, tech or industrial themes, and bold packaging or promotional graphics, especially when set with ample tracking to let the heavy shapes breathe.
The overall tone is assertive and kinetic, with a contemporary, engineered feel. Its oblique stance and squared-rounded geometry suggest speed, performance, and modern utility rather than warmth or tradition.
Likely designed to deliver a bold, contemporary oblique with a distinctive squared-rounded geometry, balancing the efficiency of a sans with a recognizable, engineered silhouette. The goal appears to be high-impact display readability while maintaining a consistent, modern system across letters and numerals.
Distinctive details include the rounded-rectangle ‘O’ and ‘Q’ forms, a crisp, squared ‘S’ rhythm, and a ‘t’ with a compact crossbar that reinforces the condensed, forward-leaning texture. The sample text shows strong word shapes and high impact at larger sizes, where the geometric curves and clipped terminals are most apparent.