Sans Faceted Ufho 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Danos' by Katatrad, 'Nusara' by Locomotype, 'Anago' by Positype, 'Core Sans M' by S-Core, and 'Norpeth' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, rugged, industrial, retro, playful, bold, impact, ruggedness, geometric character, display utility, retro feel, angular, faceted, chamfered, blocky, chunky.
A heavy, geometric sans with straight-edged construction and faceted corners that replace typical curves with chamfered planes. Strokes are consistently thick with minimal contrast, producing a compact, muscular texture in text. Counters tend to be small and polygonal (notably in rounded forms), and terminals are squared or clipped, giving most letters a cut-from-solid look. Proportions are generally sturdy and slightly condensed-feeling in places, with simplified joins and a strongly uniform, poster-oriented rhythm.
Best suited to short, high-impact settings such as headlines, posters, branding marks, packaging callouts, and bold signage where the angular silhouette can do the work. It can function for brief display text and emphatic UI labels, but the compact counters and dense color make it less ideal for extended small-size reading.
The overall tone is tough and utilitarian, like lettering that has been cut, stamped, or carved, but with a friendly, game-like bluntness rather than a severe mood. Its faceted geometry reads as retro-industrial and attention-grabbing, with a tactile, handcrafted edge despite the geometric discipline.
The design appears intended to deliver maximum presence with a distinctive faceted construction, evoking cut-metal or carved-stone geometry while keeping a simple sans foundation. It prioritizes silhouette, uniform weight, and a punchy texture that remains recognizable across a full alphanumeric set.
The faceting is applied consistently across capitals, lowercase, and numerals, which helps the design hold together in longer passages while still feeling distinctive. In running text the dense weight and tight apertures create a dark color, so the typeface reads best when given room via generous size or spacing.