Sans Faceted Ufho 4 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bronkoh' by Brink, 'Nusara' by Locomotype, and 'Belle Sans' by Park Street Studio (names referenced only for comparison).
Keywords: posters, headlines, sports, branding, packaging, industrial, athletic, retro, bold, playful, impact, modularity, durability, signage, faceted, chamfered, blocky, angular, geometric.
A heavy, block-built sans with sharply chamfered corners and faceted joins that replace most curves with short planar cuts. Strokes are consistently thick with broad, squared terminals, producing a compact, solid silhouette and minimal internal counters. The lowercase shows a tall x-height and simplified forms, while the uppercase reads like a set of sturdy sign blocks; diagonals and round shapes (C, G, O, S, 8) are rendered as multi-sided polygons. Numerals follow the same octagonal logic, yielding crisp, mechanical rhythm in text and strong presence at display sizes.
Best suited to headlines, posters, branding marks, and packaging where strong, angular letterforms can carry the message. It also fits sports identities, event graphics, and bold product labels that benefit from a sturdy, machined look. For longer passages, it will read most comfortably at larger sizes where the compact counters stay clear.
The overall tone is tough and straightforward, with a sporty, workmanlike energy. Its faceting adds a slightly retro, arcade/scoreboard feel while staying clean and contemporary. The density and sharp geometry give it an assertive, poster-ready voice.
The design appears intended to deliver maximum impact with a consistent faceted geometry, translating rounded shapes into sturdy polygonal forms. It prioritizes a strong silhouette and a unified, industrial rhythm that remains recognizable across uppercase, lowercase, and numerals.
The most distinctive feature is the consistent chamfering: corners, bowls, and even apertures tend to resolve into angled facets, creating a unified polygonal system across letters and numbers. In continuous text it forms dark, even color with tight-looking counters, emphasizing impact over delicacy.