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Free for Commercial Use

Sans Normal Kamuy 7 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Mesveda' by Agny Hasya Studio, 'Normaliq' by Differentialtype, 'Monto Grotesk' and 'Monto Screen' by Lucas Tillian, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: headlines, branding, posters, sportswear, advertising, sporty, energetic, modern, confident, direct, impact, speed cue, modern clarity, display focus, brand voice, slanted, compact, geometric, clean, sturdy.


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A slanted, heavy sans with simplified, mostly geometric construction and smooth curves paired with crisp terminals. Proportions are compact and upright in structure despite the italic angle, with rounded bowls and open apertures that keep counters clear at display sizes. Strokes read as steady and uniform, with minimal modulation, and spacing feels slightly tight for a dense, impactful rhythm. Numerals follow the same robust, rounded logic and maintain consistent weight and stance alongside the letters.

Best suited for attention-grabbing settings such as headlines, campaign graphics, posters, and prominent UI labels where a strong, forward-leaning presence is desirable. It can work well for sports and automotive-style branding, packaging callouts, and signage where impact and speed cues matter. For longer text, it will be most comfortable at larger sizes with generous line spacing.

The overall tone is assertive and fast, with a forward-leaning posture that suggests motion and urgency. It feels contemporary and utilitarian rather than decorative, communicating clarity and confidence. The weight and compactness lend it a punchy, headline-driven personality.

The design appears intended to deliver a high-impact italic sans optimized for display clarity and energetic messaging. Its consistent stroke weight and geometric rounding suggest a focus on sturdy, modern readability, while the tight rhythm and strong slant emphasize motion and urgency.

The italic slant is pronounced and consistent across caps, lowercase, and figures, creating a cohesive directional flow. Round letters stay clean and controlled, while diagonals in forms like A, K, V, W, X, and Y emphasize sharp momentum without becoming spiky. The design prioritizes strong silhouettes and quick recognition over delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸