Sans Normal Yidek 7 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Plasto' by Eko Bimantara, 'FS Koopman' by Fontsmith, 'Core Sans AR' by S-Core, 'Kommon Grotesk' by TypeK, 'Adelle Sans' by TypeTogether, and 'Peter' by Vibrant Types (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, retro, friendly, punchy, casual, display impact, approachability, retro flavor, informal tone, handmade feel, rounded, soft, bouncy, bulky, slanted.
A heavy, slanted sans with rounded construction and subtly irregular, hand-cut edges. Strokes are thick and smooth overall, with gently swelling curves and softened corners that keep counters open despite the weight. The letterforms lean consistently, with a lively baseline rhythm and slightly uneven stroke endings that add an organic, screen-print feel. Numerals match the alphabet’s chunky proportions and rounded geometry, reading clearly at display sizes.
Best suited for headlines, short statements, and display settings where impact and personality matter—posters, packaging, branding marks, event graphics, and bold callouts. It can work for brief passages at larger sizes, but the heavy weight and lively texture are most effective when given room to breathe.
The tone is upbeat and approachable, combining a sporty energy with a slightly nostalgic, poster-like character. Its rounded forms and informal texture feel friendly rather than strict, giving text a conversational warmth. The overall impression is bold and attention-getting without becoming harsh.
The design appears intended to deliver high-impact readability with a friendly, informal attitude, using rounded geometry and a consistent slant to create momentum. Subtle roughness and soft terminals suggest a deliberate move toward a hand-made, print-forward aesthetic for contemporary display use.
Uppercase forms are compact and blocky, while lowercase shapes remain simple and single-storey where expected, reinforcing an easygoing, signage-oriented voice. The slant and soft terminals create forward motion, and the texture suggests intentional roughness rather than precision.