Sans Superellipse Esmul 7 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: branding, sportswear, headlines, ui labels, posters, futuristic, sporty, technical, sleek, dynamic, convey speed, modernize, improve clarity, add dynamism, rounded corners, oblique, geometric, streamlined, high legibility.
A slanted, geometric sans with smooth superelliptical curves and clearly rounded corners. Strokes are even and low-contrast, with squared-off terminals softened by consistent radiusing, creating a clean, engineered rhythm. Counters are open and broadly proportioned, and key shapes (like O/0 and C/G) lean toward rounded-rectangle construction rather than pure circles. Uppercase forms are taut and forward-leaning, while lowercase maintains compact, controlled shapes with a single-storey a and g, emphasizing a streamlined, modern texture in text.
Works well for brand marks, product identities, and headline typography where a sense of speed and modernity is desirable. Its uniform strokes and open counters also suit interface labels, dashboards, and wayfinding-style applications where quick recognition matters. The italic construction makes it especially effective for emphasis, callouts, and dynamic editorial titling.
The overall tone feels fast, contemporary, and purpose-built—evoking motorsport, tech UI, and industrial design. The oblique stance adds motion and urgency, while the rounded geometry keeps it approachable rather than aggressive. It reads as confident and modern, with a subtle sci‑fi flavor driven by its squared curves and crisp joins.
Likely drawn to deliver a contemporary, motion-oriented sans that combines geometric precision with friendly rounding. The design intent appears focused on creating a distinctive “rounded-tech” silhouette that stays readable in continuous text while projecting a fast, modern character for display and UI contexts.
Numerals follow the same rounded-rect logic and appear designed for clarity at a glance; the 0 is especially rounded-rectangular compared to the more oval O. Diagonals in letters like K, M, N, V, W, X, and Y are clean and sharp, contrasting with the softened corners elsewhere. The overall spacing and construction produce an even, uniform color in longer lines of text.