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Sans Superellipse Esrag 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CA Zentrum' by Cape Arcona Type Foundry, 'Ciutadella' by Emtype Foundry, 'Molde' by Letritas, 'Ordina' by Schriftlabor, 'Amsi Grotesk' by Stawix, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: headlines, branding, sportswear, tech ui, posters, modern, sporty, clean, forward-leaning, confident, contemporary voice, add motion, clean legibility, geometric simplicity, oblique, geometric, rounded, monoline, high legibility.


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A slanted geometric sans with smooth, rounded-corner construction and largely monoline strokes. The letterforms are built from simplified, superellipse-like curves and straight segments, producing open counters and crisp joins with minimal modulation. Proportions are balanced with a straightforward, contemporary skeleton; capitals are compact and sturdy, while lowercase forms stay clean and uncluttered for consistent texture in text. Numerals follow the same rounded geometry and even rhythm, keeping figures clear and stable at display sizes.

Best suited to headlines, short blocks of text, and brand applications where a dynamic slant and geometric clarity help convey momentum. It works well for sports, tech, and contemporary packaging or poster layouts, and can also serve in UI or product typography when a modern, energetic voice is desired.

The overall tone feels modern and energetic, with an efficient, no-nonsense voice. The oblique slant adds motion and urgency, giving it a sporty, tech-adjacent character without becoming flashy. Its rounded geometry keeps the mood approachable while remaining firmly contemporary.

The design appears intended to deliver a streamlined geometric sans with a built-in sense of motion. By combining rounded, superellipse-like forms with a consistent oblique stance, it aims for strong legibility and a contemporary, performance-oriented impression.

Round letters like O/C/S maintain smooth, even curvature, and the terminals stay clean and functional rather than calligraphic. The italic angle is consistent across cases, creating a cohesive forward flow in the sample text and helping headings feel dynamic and assertive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸