Sans Superellipse Ifhu 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'Retrofunk' by Hendra Pratama, and 'Volcano' by Match & Kerosene (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, playful, chunky, retro, friendly, quirky, display impact, friendly tone, retro flavor, brand distinctiveness, rounded, soft-cornered, blobby, compact, stencil-like.
A heavy, rounded sans with blocky, soft-cornered construction and broad, squarish counters that read like rounded rectangles. Curves transition into flats with smooth, inflated joins, giving many letters a sculpted, superellipse feel rather than true geometric circles. Terminals are consistently blunt and cushioned, with occasional cut-in notches and internal apertures that create a subtle, stencil-like rhythm in shapes such as E, F, S, and several lowercase forms. The overall texture is dense and even, with strong silhouettes, compact internal space, and clear, simplified punctuation and numerals that match the same softened geometry.
Best suited to display applications where strong silhouette and character matter: headlines, posters, packaging, and brand marks. It also fits playful editorial pull quotes, event graphics, and product labeling where a friendly, chunky tone is desired and the type is set large enough to preserve counter clarity.
The font conveys a bold, upbeat tone that feels toy-like and poster-forward, with a touch of mid-century/arcade nostalgia. Its rounded massing and quirky cut-ins add personality without becoming chaotic, making it feel approachable and energetic rather than formal or technical.
The design appears intended to blend maximum weight with softened, rounded-rectangular geometry, creating a distinctive, contemporary display sans with retro-leaning charm. The recurring notches and simplified apertures seem deliberate to add rhythm and individuality while keeping the overall system cohesive and bold.
The lowercase shows pronounced, stylized shapes (notably a single-storey a) and a distinctive, curvy s, while numerals maintain the same chunky, softened-rectangle logic for strong set cohesion. The overall word shapes remain readable at display sizes, but the tight counters and heavy fills suggest careful spacing and sizing choices for smaller text.