Sans Superellipse Olnoj 2 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Area' by Blaze Type, 'EF DIN 1451' by Elsner+Flake, 'Two Cents Plain JNL' by Jeff Levine, 'DIN 1451' by Linotype, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, industrial, utilitarian, condensed, sturdy, modern, space-saving, impact, clarity, systematic, rectilinear, squared-round, compact, monoline, high-impact.
A compact, tightly set sans with strongly rectilinear construction and rounded-rectangle curves. Strokes stay largely uniform, producing a firm, blocky texture, while counters and bowls read as squarish superellipse forms rather than true circles. Terminals are clean and mostly flat, with occasional subtle rounding that keeps the overall silhouette from feeling sharp. The rhythm is narrow and efficient, with short extenders and a dense, poster-like color in text.
This font works best where space is tight and readability needs to stay strong: headlines, posters, packaging callouts, and wayfinding-style signage. It also suits UI labels or navigation text when a compact, robust presence is desired, especially at medium-to-large sizes where the squared-round details remain clear.
The tone is pragmatic and no-nonsense, with an industrial, engineered feel. Its squared-round geometry suggests signage and machinery labeling—confident, functional, and built for impact rather than delicacy.
The design appears aimed at delivering a space-saving sans with a consistent geometric system and high visual density. Its rounded-rectangle construction and plain terminals prioritize clarity and uniformity, creating a dependable display voice for modern, utilitarian applications.
Curves on letters like C, G, O, and Q maintain a consistent rounded-rectangle logic, giving the alphabet a cohesive, modular look. Uppercase forms feel especially compact and uniform, while the lowercase stays straightforward and sturdy, reinforcing a controlled, utilitarian voice.