Sans Superellipse Ibres 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Accura' by dooType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, techy, retro, assertive, playful, impact, clarity, modernity, approachability, systematic, rounded corners, blocky, compact, soft square, high impact.
A heavy, geometric sans with soft-square (superellipse) construction and generously rounded outer corners. Strokes are monolinear and dense, with large counters and rectangular apertures that keep shapes readable despite the weight. Terminals are mostly blunt and squared-off, while inside corners and joins are subtly eased, producing a sturdy, machined rhythm. Uppercase forms feel compact and wide-shouldered, and the lowercase follows the same blocky logic with simplified, squared bowls and short, functional ascenders/descenders. Numerals echo the same rounded-rectangle skeleton, emphasizing uniformity and strong silhouette.
Best suited to headlines, logos, packaging, and signage where a strong, high-impact voice is needed. It also fits UI accents, badges, and product labels that benefit from a robust, engineered look. For longer passages, it works most effectively at larger sizes or in brief callouts.
The overall tone is bold and confident with a friendly edge. Its softened corners temper the mass, giving it a modern, product-like feel that reads as tech-forward and slightly retro, reminiscent of industrial labeling and digital-era display typography.
The design appears intended to deliver maximum presence with a clean, contemporary geometry, using softened square forms to balance toughness and approachability. Its consistent, modular shapes suggest a focus on clear silhouettes and a unified system for display-driven typography.
Distinctive rounded-rectangular counters and consistent corner radii create a cohesive, modular system across letters and numbers. The weight and compact spacing make the font excel in short bursts, while longer text quickly becomes visually dominant.