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Free for Commercial Use

Sans Normal Loruj 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Interval Next' by Mostardesign, 'Nuno' by Type.p, and 'Marble' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotional graphics, sporty, dynamic, assertive, modern, energetic, attention, motion, headline impact, brand presence, slanted, geometric, compact, heavy, rounded.


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This typeface is a heavy, right-slanted sans with broad, rounded bowls and a compact, muscular silhouette. Strokes stay largely monoline, with smooth curves and strongly cut terminals that often read as angled or sheared, reinforcing a fast, forward-leaning rhythm. Counters are relatively tight in letters like B, P, R, and a, giving the face a dense color at display sizes. Lowercase forms are straightforward and sturdy (single-storey a and g), with minimal detailing and a generally geometric construction.

Best suited to headlines and short bursts of text where impact matters: sports and fitness branding, event posters, promotional banners, packaging callouts, and attention-grabbing social graphics. It can also work for logos and wordmarks that benefit from a compact, forward-moving stance, especially when set with generous spacing or in shorter lines.

The overall tone is energetic and punchy, with a clear sense of motion from the slant and the sharpened terminals. It feels sporty and promotional—confident, loud, and built to grab attention quickly. The rounded geometry keeps it from feeling aggressive, but the weight and forward angle maintain a strong, driven personality.

The design appears intended as an impactful slanted sans for display use, prioritizing speed, presence, and a unified dark typographic color. Its geometric rounding and clipped terminals suggest a focus on contemporary branding and advertising contexts where bold, dynamic emphasis is needed.

Round letters (O, Q, C, G) are notably full and circular, while diagonals (V, W, X, Y) appear robust and tightly spaced, helping headlines stay cohesive and blocky. The figures are simple and bold, matching the letterforms’ dense texture and making short numeric strings stand out. At smaller sizes the tight apertures and heavy color may reduce clarity, so it favors larger settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸