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Free for Commercial Use

Sans Superellipse Homuk 1 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Imago W1G' by Berthold, 'Francker' by Linotype, 'PODIUM Sharp' by Machalski, and 'Eurocine' and 'Kairos Sans' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, playful, impact, approachability, modernity, clarity, rounded, blocky, soft-cornered, compact, high-impact.


Free for commercial use
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A heavy, rounded sans with broad, superellipse-like curves and softly squared corners that keep the forms sturdy rather than bubbly. Strokes are uniform and dense, with generously sized counters and rounded terminals that maintain clarity at large sizes. The lowercase shows a compact, workmanlike construction with single-storey shapes (notably the a and g) and short, firm joins, while the uppercase is wide-set and stable with squarish interior spaces. Numerals are similarly robust and geometric, emphasizing simple silhouettes and consistent rhythm across the set.

Best suited for display applications where impact and quick recognition matter, such as headlines, posters, brand marks, packaging fronts, and signage. The sturdy shapes and open counters support short-to-medium text at larger sizes, especially where a friendly, contemporary feel is desired.

The overall tone is bold and assertive while still approachable, combining a sporty, poster-ready presence with friendly rounded geometry. It feels contemporary and utilitarian, with a touch of playful softness that keeps it from reading as purely industrial or corporate.

The design appears intended to deliver maximum visual weight with controlled, geometric rounding—prioritizing a strong, modern silhouette that stays legible and welcoming in bold branding and headline contexts.

Spacing appears on the open side, helping the dense letterforms breathe in headline settings. Round letters (O, Q, C) lean toward a rounded-rectangle profile rather than pure circles, reinforcing the squared, modern character. The heaviest joins and broad horizontals give the font strong color on the page, making it visually prominent even in short words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸