Sans Faceted Etfo 6 is a bold, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, gaming ui, tech branding, techno, futuristic, racing, tactical, industrial, speed cue, tech aesthetic, impact display, industrial feel, sci-fi ui, angular, beveled, faceted, slanted, blocky.
A sharply faceted, slanted sans with planar cuts replacing curves and a consistent use of clipped corners. Strokes are heavy and largely monolinear, with squared-off terminals and diagonal joins that create a chiseled, mechanical rhythm. Counters tend toward polygonal shapes (notably in O, Q, and 0), and several letters feature purposeful notches and spur-like cut-ins that emphasize a segmented, engineered construction. Spacing reads relatively tight and compact in text, while the overall silhouette stays crisp due to the straight-edged geometry.
This font is best suited to short, high-impact settings such as headlines, posters, logos, team or esports branding, and product marks that benefit from a fast, engineered aesthetic. It can also work for UI labels or title cards in sci‑fi, racing, or industrial themes where strong geometry aids visual punch.
The design projects speed and precision, mixing a motorsport-like slant with a hard-edged, machine-made finish. Its faceted forms and aggressive angles suggest technology, sci‑fi interfaces, and industrial hardware more than everyday neutrality. The tone is assertive and high-energy, suited to contexts where a tactical or performance-oriented voice is desired.
The letterforms appear designed to translate a clean sans foundation into a faceted, performance-driven style, prioritizing angular construction, visual toughness, and forward motion. The consistent beveling and clipped terminals suggest an intention to evoke machined parts and speed cues while staying legible in display sizes.
Round characters are deliberately squarish and chamfered, and diagonals play a prominent role across the set, giving lines of text a forward-leaning momentum. Numerals follow the same cut-corner logic, with a distinctly technical zero and an angular, segmented feel across the set.