Sans Superellipse Esnaj 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Alfaqix Algorithm', 'Alfaqix Diode', 'Alfaqix Ellipsoid', 'Alfaqix Servo', and 'Kinesthesia' by Typodermic (names referenced only for comparison).
Keywords: headlines, logos, sports branding, gaming ui, posters, sporty, techno, futuristic, dynamic, industrial, speed emphasis, modern branding, tech styling, impact display, rounded, squared, oblique, streamlined, geometric.
A slanted geometric sans built from rounded-rectangle and superellipse-like forms, with softly squared curves and consistently rounded corners. Strokes are heavy and even, with low contrast and a clean, monoline feel. The design shows a compact, forward-leaning rhythm, using angled terminals and slightly chamfered joins that keep counters open while maintaining a tight, aerodynamic silhouette. Numerals and uppercase share the same robust, engineered geometry, and the lowercase follows with similarly squared bowls and simplified shapes for strong visual consistency.
This font is well suited to bold, short-form typography such as headlines, team or event branding, logotypes, product marks, and poster titles where a dynamic, engineered look is desired. It can also work for UI labels and interface headings in tech or gaming contexts, especially at medium to large sizes where the rounded-square detailing reads clearly.
The overall tone feels fast, technical, and contemporary—suggesting motion, machinery, and performance. Its rounded-square construction adds a friendly smoothness, while the oblique stance and sharp-ish terminals keep it assertive and energetic.
The design appears intended to combine high-impact weight with a streamlined, motion-forward italic structure, using superellipse geometry to create a modern, engineered personality. It prioritizes strong silhouettes and a cohesive modular system for branding and display settings.
The letterforms favor simplified, modular construction: many curves resolve into rounded corners rather than true circles, producing a distinctive "softly squared" look. The italic angle is integral to the shapes rather than a simple slant, reinforcing the sense of speed and giving headlines a compact, continuous flow.