Slab Square Guju 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Blame Sport' by Agny Hasya Studio, 'Outlast' by BoxTube Labs, 'Gamarasa' by Differentialtype, 'Offense' by Reserves, 'Octin Sports' by Typodermic, and 'Winner' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sturdy, collegiate, vintage, assertive, industrial, impact, durability, heritage, authority, attention, blocky, compact, square-serifed, chunky, high-impact.
A heavy, block-forward slab design with square, flat-ended serifs and broadly rectangular counters. Strokes are largely monolinear, with tight interior spaces and a compact, grounded footprint that keeps letters looking dense and stable. Curved forms (C, O, S) are notably squared-off, and joins and terminals favor right angles over soft modulation. Lowercase shapes are similarly chunky, with sturdy stems and minimal delicacy, producing a consistent, poster-ready texture in both mixed case and numerals.
This font performs best in high-impact display roles such as headlines, posters, and signage where its heavy slabs and squared curves can dominate the page. It also suits sports or collegiate branding, product packaging, and bold editorial callouts where a sturdy, authoritative voice is desired.
The overall tone is confident and rugged, evoking traditional collegiate and workmanlike signage. Its squared geometry and thick slabs convey strength and reliability, with a no-nonsense, utilitarian energy that reads as vintage without feeling ornate.
The design appears intended to deliver maximum visual weight and clarity with a squared, slab-serif structure that holds up well in emphatic settings. Its geometry and compact counters suggest a focus on bold, attention-grabbing typography with a traditional, workwear-leaning character.
At display sizes the dense rhythm creates a strong horizontal presence, especially in all-caps settings. Because counters and apertures are compact, the face benefits from a bit of breathing room in tracking and line spacing when used in longer lines of text.