Sans Superellipse Pygar 9 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Newhouse DT' by DTP Types, 'Grillmaster' by FontMesa, 'Etrusco Now' by Italiantype, 'Folio' by URW Type Foundry, and 'Body' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, confident, modern, compact, functional, space saving, high impact, systematic, modern utility, squared rounds, condensed, closed apertures, flat terminals, high waists.
This typeface is a condensed, heavy sans with a squared-round (superelliptical) construction that makes curves feel like rounded rectangles rather than circles. Strokes are uniformly thick with minimal modulation, and counters are compact, producing a dense, dark texture in text. Terminals are largely flat and abrupt, while joints and corners are strongly rounded, giving the design a structured, engineered rhythm. The lowercase is compact with a tall x-height and short ascenders/descenders, and the overall spacing reads tight and efficient.
Best suited to headlines, short blocks of text, and display settings where a compact footprint and strong impact are needed. It works well for signage, packaging, and identity systems that want an industrial-modern tone, and it can also serve as a commanding UI or dashboard header style when sizes are large enough to keep counters open.
The tone is assertive and workmanlike, combining a contemporary, utilitarian feel with a subtle retro-industrial flavor. Its compact forms and firm weight communicate urgency and authority, while the rounded corners soften the voice just enough to stay approachable.
The design appears intended to deliver maximum impact in limited horizontal space, using superelliptical rounds and heavy, even strokes for a sturdy, contemporary look. Its tall lowercase and compact counters aim for strong legibility at display sizes while maintaining a consistent, engineered rhythm across letters and numerals.
Round letters such as O/C/G and numerals like 0/8 lean toward boxy, rounded-square silhouettes, and several apertures appear relatively closed, reinforcing the compact, “packed” color. In continuous text the strong vertical emphasis and narrow proportions create a tall, columnar presence that benefits from generous line spacing.