Sans Superellipse Simum 1 is a bold, very narrow, high contrast, upright, normal x-height font visually similar to 'Popstick' by Creativemedialab (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, mastheads, art deco, theatrical, sleek, dramatic, editorial, display impact, deco revival, poster titling, brand voice, architectural rhythm, condensed, vertical, geometric, modulated, sculpted.
A tightly compressed display face built on tall, column-like proportions and a strong vertical rhythm. Strokes show pronounced modulation, with thick stems contrasted by very thin crossbars and hairline joins, producing a sharp, engraved look. Curves are drawn as rounded-rectangular/superellipse forms, giving counters a squarish softness rather than purely circular bowls. Terminals tend to be crisp and clean, with small, controlled curves on letters like J, S, and y, and a generally rigid, architectural construction throughout.
Best suited to large-size applications where its thin cross-strokes and narrow counters can stay clear—such as headlines, poster typography, mastheads, logotypes, and premium packaging. It can also work for short editorial decks or pull quotes when set with generous tracking and line spacing.
The overall tone feels glamorous and period-evocative, leaning toward Art Deco signage and classic cinema titling. Its extreme verticality and high modulation create a sense of drama and formality, with a stylish, slightly noir flavor that reads as designed for impact rather than neutrality.
The design appears intended to deliver a refined, era-inflected display voice by combining condensed geometry with dramatic stroke modulation and superellipse-like rounds. The goal seems to be high visual impact and a polished, architectural silhouette that remains consistent across the alphabet and numerals.
The condensed width and fine interior details make spacing and texture feel stripe-like in paragraphs, with letters locking into a consistent vertical cadence. Numerals follow the same tall, sculpted logic, maintaining the display-oriented presence across both text and figures.