Sans Superellipse Gimek 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Borgstrand Pro' by Martin Lexelius Core and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, signage, techno, industrial, futuristic, bold, confident, impact, modernity, tech tone, modular consistency, branding, rounded, squarish, geometric, blocky, compact.
A heavy, geometric sans built from rounded-rectangle forms and superellipse curves. Corners are broadly radiused, counters are mostly rectangular or softly squared, and curves connect with smooth, engineered transitions rather than calligraphic modulation. Stems and bars are uniformly thick, producing a dense silhouette and strong horizontal/vertical rhythm. The lowercase is compact with sturdy bowls and short joins, while figures and capitals read as modular, sign-like shapes with consistent corner treatment and tight interior apertures.
Best suited for display applications where strong, compact forms are an asset—headlines, branding wordmarks, posters, packaging, and short UI labels. It excels when large enough for the squared counters to open up and the rounded geometry to read clearly, and it can add a distinctive tech character to titling and signage.
The overall tone feels technical and machine-made, with a modern, game/interface energy. Its chunky, rounded geometry gives it a friendly edge while still reading as assertive and industrial. The repeated superellipse curves create a distinctly futuristic, sci‑fi flavor suited to bold, attention-first typography.
Likely designed to deliver maximum impact with a consistent superellipse construction, combining rounded friendliness with rigid, modular structure. The goal appears to be a modern display face that feels engineered and contemporary, with strong uniformity across letters and figures for branding and bold statements.
The design leans on squared counters and flattened curves, which increases visual weight and presence at display sizes. The strong, consistent rounding across glyphs makes the set feel cohesive and logo-ready, while the compact apertures can make dense text feel dark when tightly set.