Sans Normal Jemid 6 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Seeker' by Asenbayu, 'Clonoid' by Dharma Type, 'Premis' by Fenotype, 'Muller Next' by Fontfabric, 'Otoiwo Grotesk' by Pepper Type, '946 Latin' by Roman Type, and 'Radiate Sans' by Studio Sun (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, sporty, dynamic, confident, retro-tech, punchy, impact, speed, modernity, brand presence, display legibility, oblique, extended, rounded, geometric, streamlined.
A heavy, oblique sans with extended proportions and a rounded, geometric skeleton. Strokes are monolinear with smooth curve transitions and frequent angled terminals that reinforce a forward-leaning, aerodynamic feel. Counters are generously open for the weight, and bowls (O, o, e) stay close to circular/elliptical with a slightly squared-off rhythm from the slanted cuts. Lowercase forms are compact and sturdy with a large x-height and short ascenders/descenders, keeping the texture dense and uniform in display sizes.
Best suited to headlines, posters, and short statements where its wide, slanted mass can do the work of creating impact. It also fits sports and performance-oriented branding, punchy logo wordmarks, packaging callouts, and bold UI/cover titling where a dynamic, modern texture is desired.
The overall tone is energetic and assertive, with a fast, engineered character that suggests motion and modern performance. Its broad stance and italic slant feel sporty and attention-seeking, while the rounded construction keeps it friendly rather than aggressive.
The design appears intended to deliver maximum visual presence with a sense of speed and contemporary polish. By combining rounded geometric forms with angled, oblique terminals, it aims for a sporty display voice that stays clean and legible while projecting motion and confidence.
The numerals match the letterforms with rounded geometry and slanted, cut terminals; curved figures like 3, 6, and 9 read especially smoothly at size. Diagonal-heavy letters (K, V, W, X, Y) emphasize the oblique momentum, and the wide set benefits from ample tracking to avoid a crowded feel in longer lines.