Sans Normal Kobot 15 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Alamia' by Ani Dimitrova; 'CamingoDos SemiCondensed' by Jan Fromm; 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'Corpid' by LucasFonts; 'Comenia Sans' by Suitcase Type Foundry; and 'Hedley New' by moretype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, dynamic, sporty, confident, modern, energetic, emphasis, momentum, impact, display, oblique, rounded, clean, compact, slanted.
A heavy, oblique sans with compact proportions and smoothly rounded curves. Strokes stay largely even in thickness, with tightened counters and sturdy terminals that keep forms dense and punchy. The slant is pronounced and consistent across caps, lowercase, and numerals, creating a forward-leaning rhythm, while round letters (O, C, G) read as clean ellipses and diagonals (A, V, W, X) feel crisp and stable.
Best suited to display settings where impact and speed are desirable—headlines, posters, campaign graphics, and bold brand statements. It can work well for sports, fitness, automotive, or tech-forward visuals, and for short emphatic UI labels where a strong oblique accent helps with hierarchy.
The overall tone is assertive and fast-moving, with a contemporary, sporty energy. Its strong mass and consistent rightward lean convey momentum and confidence, making it feel geared toward headlines and attention-grabbing messaging rather than quiet body text.
The design appears intended to deliver a modern, high-impact italic voice that remains clean and straightforward. It prioritizes a unified slanted rhythm, strong fill, and simple geometric shaping to stay legible while projecting motion and emphasis.
Uppercase shapes are broad and steady with minimal flourish, while lowercase remains compact with clear, simple construction. Numerals are sturdy and legible at display sizes, matching the same oblique stance and dense color for cohesive typography.