Sans Superellipse Akmu 5 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui, branding, signage, packaging, posters, futuristic, technical, clean, friendly, minimal, geometric identity, interface clarity, modernization, systematic consistency, rounded, octagonal, geometric, modular, soft corners.
A geometric sans built from rounded-rectangle and superellipse-like forms, with straight segments joined by consistent soft corners. Strokes are largely uniform, producing a crisp, engineered rhythm and even color in text. Counters tend to be squarish (notably in O/0 and D), and many curves resolve into subtly faceted arcs, giving the design a modular, slightly octagonal feel. Proportions are balanced and contemporary, with open apertures and compact, tidy terminals that keep shapes readable at display and short-text sizes.
Well-suited for product and technology branding, app and device UI, dashboards, wayfinding, and packaging where a clean, engineered tone is desired. It can also work for headlines and short paragraphs in editorial or marketing settings that want a contemporary, geometric voice without sharp edges.
The overall tone feels modern and tech-forward while staying approachable due to the rounded corners and smooth joins. It suggests interface design, industrial labeling, and sci‑fi or robotics aesthetics without becoming overly aggressive. The texture in paragraphs reads calm and orderly, emphasizing clarity and precision.
The design appears intended to translate a rounded-rectilinear construction into a highly consistent, legible sans, blending technical precision with softened corners. Its goal seems to be a distinctive geometric identity that remains functional in running text and strong in display settings.
Distinctive superellipse geometry shows consistently across caps, lowercase, and numerals, creating a cohesive family feel. Numerals appear designed to harmonize with the caps, with squared-off bowls and rounded corners that preserve the same modular logic. Diagonals and joins (such as in V/W/M/N) keep a controlled, engineered character rather than calligraphic movement.