Sans Superellipse Hirin 9 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Armetica' by Hsan Fonts, 'Frontage Condensed' by Juri Zaech, and 'Manopidi' by Nian Keun Studio (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, brand marks, industrial, compact, assertive, utilitarian, retro, space saving, high impact, signage clarity, bold branding, condensed, blocky, rounded corners, squarish rounds, closed apertures.
A compact, heavy sans with tightly packed proportions and a strong vertical rhythm. Strokes are broadly even, with squared terminals softened by subtle rounding, giving many curves a squarish, superelliptical feel. Counters are relatively small and apertures tend to close up, especially in letters like a, e, s, and g, producing dense word shapes. The lowercase is sturdy and straightforward, with short, minimal-curve joins and simple dots and punctuation that match the overall heft.
This font is well-suited to headlines, posters, and signage where maximum impact is needed in limited horizontal space. It can also work for packaging callouts, bold UI labels, and logo wordmarks that benefit from a compact, blocky silhouette. For long passages of small text, the dense counters and closed apertures may reduce clarity compared with more open designs.
The overall tone is forceful and no-nonsense, leaning industrial and poster-ready rather than delicate or lyrical. Its condensed stance and dense counters create an urgent, space-efficient voice that reads as practical, tough, and a bit retro in the way it echoes bold signage and packaging typography.
The design appears intended to deliver strong emphasis in a condensed footprint, combining blunt, rectangular geometry with softened corners to keep the tone approachable. Its consistent stroke weight and compact spacing suggest a focus on high-contrast presence on posters and display settings rather than nuanced text readability.
Round letters like O/Q read more like rounded rectangles than perfect circles, reinforcing a squared-off texture across lines. Numerals are similarly compact and weighty, with simplified forms that prioritize impact over finesse at small sizes.