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Free for Commercial Use

Serif Contrasted Tysi 6 is a very bold, wide, very high contrast, italic, normal x-height font visually similar to 'Monotype Bodoni' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, magazine, branding, packaging, fashion, editorial, dramatic, luxury, theatrical, impact, elegance, expressiveness, didone-like, hairline, swashy, calligraphic, high-waisted.


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This typeface is a sharply contrasted italic serif with a pronounced rightward slant and a distinctly display-oriented rhythm. Thick vertical and diagonal stems are paired with extremely fine hairlines and needle-like finishing strokes, creating crisp, sparkling edges at larger sizes. Serifs read as delicate, often asymmetric wedges and tapering terminals rather than heavy, bracketed feet, and many joins resolve into pointed intersections. Letterforms feel slightly expansive and sculptural, with sweeping diagonals and occasional swash-like curves in lowercase (notably in letters such as f, g, j, y), while counters remain relatively compact due to the heavy main strokes.

Best suited for large-scale typography where contrast and hairlines can reproduce cleanly: magazine covers, fashion/editorial headlines, luxury branding, packaging, and striking poster titles. It can also work for short subheads or pull quotes when given generous spacing and high-quality output.

The overall tone is glamorous and high-drama, evoking fashion headlines, luxury packaging, and classic high-contrast editorial typography. Its sharp cuts and elegant hairlines lend a refined, premium feel, while the assertive weight and italic energy add motion and theatrical flair.

The design appears intended to deliver a modernized, high-contrast serif look with strong italic momentum for premium display use. It prioritizes visual impact and elegance over neutral readability, using sharp terminals, dramatic thick–thin transitions, and expressive lowercase forms to create a distinctive voice.

The design shows strong vertical stress with brisk transitions between thick and thin, and the italic construction leans toward display calligraphy rather than text italic mechanics. Numerals follow the same high-contrast logic, with a mix of straight, chiseled strokes and curved bowls, producing a bold, attention-grabbing set suited to prominent settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸