Sans Superellipse Hiriz 5 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'Mervato' by Arterfak Project, 'Bouncer' by Fenotype, 'Gotham' by Hoefler & Co., and 'Political Poster JNL' by Jeff Levine (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, assertive, industrial, retro, sporty, compact, impact, space-saving, geometric consistency, headline strength, condensed, blocky, rounded corners, high contrast counters, large apertures.
A tightly set, heavy sans with condensed proportions and a largely uniform stroke weight. Curves are built from rounded-rectangle geometry, producing squared-off bowls and soft corners rather than true circles. The forms are tall and compact, with sturdy verticals, broad flat terminals, and simple construction that keeps the texture dense and even in headlines. Counters are relatively narrow but cleanly cut, and the overall rhythm feels engineered and modular.
Best suited to display roles where density and punch are desired: headlines, posters, bold brand marks, and short callouts. Its compact width makes it useful for constrained spaces such as labels, packaging panels, and wayfinding-style signage. For extended reading, it will work better in short blocks or larger sizes where the counters have room to breathe.
The font projects a strong, no-nonsense tone with a distinctly utilitarian, poster-forward presence. Its rounded-rectilinear shapes add a friendly softness to an otherwise tough, industrial voice, giving it a retro sports and signage energy. The condensed stance makes it feel urgent and impactful while remaining orderly.
The design appears intended to deliver maximum impact in a compact footprint, pairing a straightforward sans structure with rounded-rectangle curves for a distinctive geometric identity. It prioritizes strong silhouette, consistent weight, and a tight, energetic texture that stays cohesive across letters and numerals.
Round letters such as O, C, and G read as superelliptical rather than circular, which reinforces a consistent, geometric theme across both uppercase and lowercase. The lowercase is bold and compact with simple joins, and numerals follow the same squared, sturdy logic for a cohesive set. At smaller sizes the tight counters and heavy weight may demand generous spacing for maximum clarity.