Sans Superellipse Hidun 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'FF Good' by FontFont, 'Muller Next' by Fontfabric, 'Sharp Sans Condensed' by Monotype, 'Belle Sans' by Park Street Studio, 'LFT Etica' by TypeTogether, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, assertive, industrial, sporty, retro, compact, compact impact, attention grabbing, sturdy readability, modern utility, blocky, condensed, rounded corners, closed apertures, high contrast presence.
A compact, heavy sans with squared-off construction softened by rounded corners. Strokes are consistently thick and the shapes are built from straight sides and broad curves, giving counters a rounded-rectangle feel. Letterforms are tightly proportioned with relatively narrow widths and a strong vertical stance; curves are firm and controlled, and terminals are blunt rather than tapered. The overall texture is dense and dark, with many apertures leaning toward closed or narrowly cut openings, especially in rounded letters.
Best suited for display settings where impact matters: headlines, posters, brand marks, and packaging panels. The dense weight and condensed fit make it useful for short, punchy lines and space-constrained titles, and it can also work for bold wayfinding or label-style signage where a strong silhouette is desirable.
The tone is bold and no-nonsense, reading as energetic and forceful rather than delicate. Its compressed, blocky rhythm suggests utilitarian signage and athletic branding, with a slight retro advertising flavor thanks to the rounded-rectangle geometry. It feels confident and attention-grabbing, designed to hold its shape at a glance.
The design appears intended to deliver maximum visual punch in a compact footprint, using rounded-rectangle geometry to stay friendly while remaining firm and highly legible at large sizes. It prioritizes a consistent, muscular texture and simple construction over fine typographic detail.
Round characters tend to look squarish due to the superellipse-like curvature, and the interior spaces stay relatively small compared to the stroke weight. The lowercase set appears sturdy and compact, with simple, robust joins and minimal detailing, keeping the overall silhouette clean and uniform.