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Sans Superellipse Pikub 1 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Albireo' and 'Albireo Soft' by Cory Maylett Design (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, sports branding, industrial, assertive, retro, utilitarian, condensed, space saving, high impact, signage clarity, poster utility, blocky, compact, tall, rounded corners, stencil-like.


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A compact, tightly condensed sans with tall proportions and heavy, uniform strokes. The forms are built from rounded-rectangle geometry, with softened corners and mostly straight-sided curves that keep counters narrow and vertical. Terminals are blunt and squared-off, apertures are small, and the overall rhythm is dense and strongly vertical. Numerals follow the same compressed, blocky construction, maintaining consistent weight and spacing for a solid, poster-ready texture.

Best suited to headlines, posters, and large-format messaging where its condensed width and heavy color can maximize impact in limited space. It also fits branding systems that need a strong, industrial voice—such as signage, packaging, or sports and event graphics—especially when set with generous tracking and ample line spacing.

The tone is forceful and pragmatic, with an industrial, display-forward presence. Its tall, compressed silhouettes and tightly enclosed counters evoke a retro poster and signage feel, reading as confident, no-nonsense, and slightly mechanical.

The design appears intended to deliver maximum punch in a narrow footprint, using rounded-rectangle construction and uniform stroke weight to produce a consistent, high-density typographic color. It prioritizes bold readability and a strong vertical stance for display settings where space efficiency and presence matter most.

The narrow counters and compact spacing create high visual density, which amplifies impact at headline sizes but can make fine details (like small apertures and joins) feel tight in longer text. The rounded-rectangle construction keeps the overall feel friendly compared to hard-edged grotesques, while still remaining emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸