Sans Normal Almoz 4 is a regular weight, very wide, low contrast, upright, tall x-height font visually similar to 'FF Clan' and 'FF Good Headline' by FontFont, 'Sztos' by Machalski, and 'FM Bolyar Sans Pro' by The Fontmaker (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui display, clean, modern, neutral, tech, clarity, modernity, versatility, impact, geometric, open, rounded, monoline, spacious.
A clean, geometric sans with broad proportions and an even, monoline stroke. Curves are smooth and circular (notably in C, G, O, and e), while terminals are crisp and mostly horizontal/vertical, giving a tidy, engineered finish. Counters are generous and apertures stay open, supporting clarity at larger sizes; lowercase forms read sturdy and compact with a tall x-height and short ascenders/descenders. The overall rhythm is wide and steady, with consistent spacing and a straightforward, contemporary skeleton.
Well-suited to headlines, posters, and branding systems where a wide, modern sans can project clarity and impact. It also fits signage and UI display contexts that benefit from open counters and straightforward shapes, especially at medium to large sizes where its spacious geometry reads cleanly.
The font conveys a modern, neutral tone—confident and functional rather than expressive. Its wide stance and smooth geometry suggest a contemporary, tech-adjacent sensibility, while the restrained detailing keeps it versatile and understated.
The design appears intended as a contemporary, geometric workhorse that prioritizes clarity and consistency. Its wide proportions and simplified construction aim to deliver a strong, modern presence while staying neutral enough for general-purpose display typography.
Distinctive wide caps and rounded bowls create a strong silhouette in headlines. In the figures, forms are simple and legible with smooth curves and minimal modulation, matching the letters’ geometric logic. The sample text shows a dense, emphatic color at display sizes, where the broad widths become a defining stylistic feature.