Sans Superellipse Edlef 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Fishmonger' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: ui labels, brand systems, tech products, sports branding, headlines, techy, sleek, sporty, contemporary, efficient, modernize, streamline, add motion, increase friendliness, tech tone, oblique, rounded, monoline, superelliptic, squared-round.
A rounded, oblique sans with monoline strokes and superelliptic construction: curves tend toward rounded-rectangle bowls and terminals rather than fully circular forms. Corners are consistently softened, and many joins are slightly squared-off, giving counters a compact, engineered feel. Proportions are clean and slightly condensed in places, with a forward-leaning rhythm that stays even across caps, lowercase, and figures. Numerals follow the same rounded-square logic, maintaining uniform stroke weight and tidy apertures for a cohesive texture in text.
Well-suited to interface labels, dashboards, and product UI where a clean, contemporary voice is needed with a touch of forward motion. It also fits tech branding, transportation or automotive themes, and sporty editorial headlines. The cohesive caps, lowercase, and numerals make it practical for mixed alphanumeric settings such as wayfinding, packaging, and model names.
The overall tone feels modern and technical, with a streamlined, motion-oriented slant that suggests speed and precision. Rounded corners keep it approachable, while the squarish curves add a utilitarian, engineered character. It reads as contemporary and functional rather than expressive or decorative.
The design appears intended to combine a friendly rounded sans with a more engineered, superelliptic geometry, using an oblique posture to add momentum. It prioritizes consistent stroke behavior and a tight, modern texture that holds together from display sizes into short text.
Stroke endings are mostly rounded and consistent, and the superelliptic bowls create a distinctive, slightly “rectangular” softness that stands out in letters like O/C/e and in the figures. The oblique angle is steady and gives lines of text a continuous forward flow without introducing calligraphic contrast.