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Distressed Rolop 15 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Digital Sans' by Blaze Type, 'HK Nova' by Hanken Design Co., 'Infoma' by Stawix, 'URW Form' and 'URW Geometric' by URW Type Foundry, and 'Pln Hyeonbatang' by Ziwoosoft (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, signage, industrial, military, grunge, stenciled, utilitarian, stencil marking, rugged texture, industrial voice, print wear, cutout, weathered, inked, mechanical, hard-edged.


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A heavy, stencil-like sans with geometric construction and prominent interior breaks that read as cutouts through the bowls and strokes. Forms are mostly rectilinear with some rounded counters, and corners tend to be crisp, giving the alphabet a robust, engineered feel. Edges show consistent distressing—small chips, nicks, and uneven ink spread—creating a worn print texture without collapsing the underlying letter shapes. Numerals and capitals are especially blocky and sign-like, while lowercase keeps the same stencil logic and maintains clear rhythm in text.

Best suited to display applications such as posters, headlines, apparel graphics, packaging, labels, and signage where the stencil breaks and worn texture can be appreciated. It can work for short bursts of text, but the repeated cutouts and distressing are most effective when used larger and with generous spacing.

The overall tone is tough and functional, evoking painted markings, shipping labels, and equipment IDs. The distressed texture adds a gritty, used-in-the-field character that feels industrial and slightly aggressive, suitable for designs that want a rugged, no-nonsense voice.

The design appears intended to merge a classic stencil framework with a printed, weathered surface, delivering a typeface that feels like practical marking typography that has been rubbed, chipped, or overprinted over time.

The stencil gaps are a defining feature across many glyphs (notably rounded letters like O/C/G and several lowercase forms), producing a distinctive dotted-break silhouette in text. The distress is moderately strong and consistent, so it reads as intentional texture rather than random noise, especially at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸