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Sans Superellipse Odbu 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun; 'Military Jr34' by Casloop Studio; and 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, sturdy, techy, friendly, confident, retro, impact, clarity, modernity, approachability, robustness, rounded, blocky, geometric, compact, soft corners.


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This typeface uses heavy, monoline strokes and a superelliptical construction, with rounded-rectangle counters and softly chamfered corners throughout. Curves are broad and controlled, joins are smooth, and terminals tend to end in squared-off forms with generous rounding rather than sharp points. Proportions feel compact and stable, with wide internal counters in letters like O, D, and P, and a consistently chunky rhythm across uppercase, lowercase, and numerals. The overall texture is dense but orderly, designed to stay legible at display sizes while maintaining a cohesive, modular geometry.

It performs best in headlines, posters, branding marks, packaging, and signage where a compact, high-impact voice is needed. The strong, rounded geometry also suits UI callouts, labels, and short marketing copy that benefits from a friendly but industrial presence.

The tone is bold and assured, balancing a mechanical, contemporary feel with a playful softness from the rounded corners. It reads as modern and utilitarian without becoming cold, and it carries a subtle retro-digital flavor reminiscent of robust signage and tech branding.

The design appears intended to deliver maximum visual weight and clarity using a rounded-rectilinear geometry that stays consistent across the character set. It prioritizes bold presence, clean silhouettes, and a contemporary, tech-adjacent personality while keeping forms approachable through softened corners.

Distinctive features include rounded-square bowls and counters, a squared-off feel to curves (especially in C/S/G), and sturdy numerals with large apertures and smooth rounding. The sample text shows strong word shapes and consistent color, with an emphasis on clarity and impact rather than delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸